She Lives the Glamorous Theater Life (and what calms her down after exiting the stage)
“I get up at 6, pack lunches, and take my oldest daughter Elizabeth,12, to school. I come back home and make sure Anna, 10, is up and getting ready for school. I walk at Creason Park then return home, and my husband Matt (who is the producing artistic director for Kentucky Shakespeare) makes breakfast for all of us. I take Anna to school and I am at Derby Dinner Playhouse by 9:15.”
“If I’m in rehearsal for a show, I am in the rehearsal studio by 10. Rehearsals start about two-and-a-half weeks before the show opens.”
“If a show is open, then in the mornings, as director of The Children’s Theatre, I’m casting for the children’s shows, reading plays for the new season, emailing parents, and working on social media. I also write all the study guides for teachers and the classes that come to the student matinees.”
If she is performing, “I’m back at the theater by 7:15pm. I’m there until at least 10 or later. When I get home I am charged with adrenaline so I take off my makeup, have a glass of red wine, talk with Matt, and try to be in bed by midnight because I have to be up at 6am.”
Tina Jo has been with Derby Dinner for 15 years. She performs in at least four shows a year. She starts learning the script at least a month before rehearsals even begin. “That way during rehearsal I can listen to the director, try different strategies, play with timing, and I don’t have to worry about trying to learn my lines.”
Her days also might include fittings for costumes and wigs. Then there is the tech rehearsal when the cast works with the lights, the sound, and the final set pieces. Tech runs 10 hours out of 12 on Monday and Tuesday before the opening. There is a performance before a preview audience on Wednesday. During the season, there are eight mainstage shows that run for six weeks and four Children’s Theatre shows.
“As an actor I love the connection with the audience, and as a director I like that I get to tell the complete story and create the experience.
“The best part is that I never get bored. I tell my students to learn everything about theater — voice, acting, dance. Learn about lighting, costumes, and sets. The more skills you have the more likely you will have a consistent career.”
What works for this woman who has had a consistent 22-year career in the theater?
This was given to me by Bekki Jo Schneider (co-owner and producer of DDP, now deceased) the first time I directed. I use it specifically when I am directing during the tech rehearsals because I can take notes in the darkened theater. I wear it around my neck and it just clicks off and on. Because I move from place to place during rehearsals, if someone is looking for me they can find me by the light.
Crock-Pot Slow Cooker
Because my time at home is limited, I try to plan meals so I don’t have to cook every night. I use it to fix chicken, lasagna, or a stew. I find ideas on Allrecipes.com. When I cook a whole chicken we use the leftovers on salads for lunch. I have a large crockpot and a small one.
Eyelash glue is the hardest to get off. I found these wipes to be the gentlest way to get all of it off along with the stage makeup. It’s part of my calming down ritual after a show along with a glass of red wine.